Thursday, October 2, 2008
Now, don't ask me how I got the idea for this trenchcoat because I really cannot remember. All I know is that it obsessed me my entire holidays, it was taking shape into my mind and I was really looking forward to get back and start sewing again. Funny because I used the last week of my holidays to give a very thorough cleaning to our apartment - you know, when you move every piece of furniture to clean underneath?. I sometimes get urges like that to clean everything and put it in order, it is a bit like putting order in my entire life or starting fresh and clean (I'm born in autumn and tend to view autumn as a beginning, I know it might seem strange). So I only started to work on the trench after I got back to work.
I really love trenchcoats (especially fitted) and can't have enough of them, plus I wanted very much a white trenchcoat. I love white coats (even if they have to be washed or cleaned very often) and I like how I look in white.
Taking into account that I spent a lot lately on sewing notions and gadgets, stocking up on things harder to find, I decided I'd better shop my own stash for fabric and patterns - I have quite a lot already. There was no trenchcoat pattern in my stash, not for a classic trenchcoat, but more modern interpretations. The only pattern coming close to what I wanted was this Burda pattern - coat 111 from BWOF 10/2007. A coat pattern. Now, I had to downsize the pattern anyway, I'm a 34 in Burda and the coat is 36-44. A coat has a lot more ease than a trenchcoat, especially a fitted trenchcoat like I wanted and one in a pretty summery/early fall fabric (a thin cotton twill). I normally would have pulled one of my patternmaking books and try to see what is the ease in a coat and what in a fitted early fall coat, but I have no idea what kind of ease Burda uses (I think there are several "schools" in the field...) I thought a solution would be to downsize another size, thus going from 36 to 32. I'm not really sure this is the wise way to do it, but it does make sense in a way. By going down a size, you decrease the width, you get higher armholes, you decrease the width of the sleeve as well etc.
I must confess, blushing with shame, that I didn't make a muslin. I know, I should have. But I had two reasons: 1) Burda patterns fit me really well and most of the time I have no alterations to make (except the petite alteration that I always do, using this Burda workshop); 2) I get so obsessed with a project that I literally cannot wait to see it starting to take shape.
So, now to the "technical" details. The coat is made out of a thin cotton twill. The topstitching is done by hand, using multi-strand embroidery floss (all of the six strands) and a 0.5 mm (approx 1/4") running stitch, situated at 1 cm (approx 3/8") from the edge. There's topstitching on the pocket flaps, the belt, the lapels collar, front edge and hem of the trench, the back center seam (including the vent), the back sleeve seam.
I've used Diva Ann's tutorial for making a welt pocket using an organza "window"- see the tutorial here and was very happy with the result. See below how clean it looks:
I've used my Tailoring: The Classic Guide to Sewing the Perfect Jacket book for fusing various types of interfacing to the garment, interfacing the lapels and sewing the collar. Great info, I really like this book.
For bagging the lining, I've used (again), Kathleen Fasanella's series of Nameless tutorials. Really, once you try her method, I doubt you'll ever want to use another. Look how clean (and entirely by machine, no handstitching) the finish of the lining+facing at the hem:
I simply adore it. It looks so professional and it is so easy to achieve. I've been using this method for a long while now, but this is the first time I've used Kathleen's book to draft my own facings and lining. Guess what? The way she has you drafting the lining, you get rid of that pleat at the hem. I don't know about you, but I always disliked that pleat. It is such a pain to iron (I never know exactly how much I should fold it when ironing it) and then when you wear the jacket, the pleat unfolds a bit and you have a rigid crease where you fold it. I strongly recommend Kathleen's book. Besides the info in it, it also gives you one-year free access to her members only forum - another wealth of information.
Take a look at the photo below...
See how the lining "blouses" at the hem? Drafting the lining as Kathleen instructs you gives you plenty of ease to allow movement, but no pleat.
For finishing the vent, see this episode of the nameless series.
Unfortunately, when I cut the lining, I forgot to allow for the vent, and cut the back traditionally (omitting the vent). I added then a rectangle to the right side of the lining and I left the left side as it was, mitering the corner.
Mental note to self: Stop cutting fabric when very tired .
The buttonholes are corded, using the same multi-strand embroidery floss that I used for topstitching. The beautiful buttons are a gift from Summerset.
Wednesday, October 1, 2008
Back of top
Top lying flat
This is a top made just before leaving for holidays. I used top 126 from Burda 07/2008 as a starting point and added some changes. I really liked the back of the pattern. I love the blousy shape that is trendy now, but be careful - your fabric must be drapey if you don't want to look like you put on weight. I also loved how the pattern doesn't have any side seams. It is interesting and it also speeds up the sewing.
First of all, I downsized to 34. I've used an insert in Burda magazine to do it, but there's also this tip on PR that I use a lot.
I knew I wanted a really sexy top to wear for salsa dancing and for hot holidays nights out. I made this top in a hurry to have it for holidays (it was made at the end of July) so I didn't have the time to take any photos, but I tried to show you on the pattern technical drawing what I did.
The red lines are the new design lines. The front and back band are cut away from the pattern. I used black cotton-lycra for the band and I interfaced them with soft knit interfacing. You must interface them, otherwise you risk a drooping neckline. And you don't want that, do you?
The back is cut to have a deep cleavage, showing your nude back. You cannot wear a bra with this - well, actually you could wear a very interesting bra that you feel like showing, if you want. The design is quite blousy so I don't think it works for insertion of bra cups. My fabric is drapey but quite thick so I can wear the top without a bra and I'm still totally decent. And after all, you can always purchase those little silicone patches that cover your nipples if your fabric is too revealing.
The center back seam is pivoted to make a cowl.
The green lines on the front show you where I cut and spread the pattern, to have little gathers that go in the neckline. I only spread my cuts about 1 cm away (approx 3/8'), I could have spread them a bit more, but as I told you I was in a hurry and didn't have time to experiment.
The back is gathered around the square insert (part of it shows in the left corner of the drawing - the dotted black lines show the gathering), that I also cut from black viscose lycra. That is from the original Burda design and it is a detail that I like very much.
Even if it's quite a particular top, I think I will sew it again, probably in a solid. I wore it to death during holidays and salsa parties and I got tons of compliments over it. While away on holidays, a girl wanted to buy it off my back and offered me 100 Euros for that. I took it as a compliment but kept the top :)
See this older post for sewing with knit tips.
I know I have promised to be back at the end of August, but somehow I didn't manage to keep that promise. Work and readjusting to work after a one-month holiday, and I also felt a bit low for a while. I'm definitely better right now and as one very special friend told me, it is good to indulge but then you have to snap out of it.
I did sew in the meantime, so I'll have things to show you. I'll post them one by one to make linking easier when I want to refer to a particular garment.
I also bought a new camera and you'll have to bear with the (poor) quality of my photos for a while. I'm still experimenting with the camera on one hand and I had to change the place where I used to take pictures on the other hand - for the simple reason that I cannot put this camera in the same position as the older one. You'll see in future posts that pictures are not very well framed (part of my head is missing, part of my legs are missing too). I'm going to buy a tripod soon but it annoys me that I won't be able to sit the camera in a vertical position (most time I prefer portrait photos to landscape photos).
With great delay, I want to list some beautiful things I received from dear friends in the last past months. So, in chronological order...
From Marji, during her 50 giveaway:
From left to right: beautiful double-faced wool, and two pieces of gorgeous silk.
From Summerset - she knew I had a tough time in spring so she sent me a little cheer-up gift. Please notice that everything, including the card is in my favorite combo of colours. She also got my postal address from another friend, without me knowing it, so I was blown away when I got the parcel!
It seems I forgot to include in the photo the most gorgeous black and white sequined button I've ever seen! (made by Summerset, of course). There were also some black beautiful buttons, you'll see them very soon. They are already attached to something :)
Sewing Diva Els helped me buy some very nice and useful notions (and I got another load coming). Not only she was incredibly helpful both in giving advice and driving to a store to get me some things, but she also threw in scraps of interfacing to experiment with, shoulder sleeves and a pair of shoulder pads. There's also some black seam binding not included in the photo, but you'll see it very soon - I used it on a recent project.
My sister surprised me and sent me all the way from Stockholm this gorgeous birthday gift
Everything is made by her own little hands. Can you believe this? Secretive as she is, I had no idea she was into jewelry making...
And this gorgeous black patent bag was a birthday gift from my husband....
And this handpainted bag is a gift from my co-workers. Even my cat loves it!
I also found out that I was nominated for International Superstar award on the Pattern Review. Wow, can you believe this???
And I got a prize from Mirela. If you're not familiar with her blog, go there right away. Mirela is a fellow Romanian living in the States. She's very talented, she sews, she knits, she crochets, she makes really beautiful things.
The rules for this award - prize are as follows:
1. Select 6 bloggers to whom you would like to give this award- prize
2. Put the award - prize on your blog and indicate who gave it to you by identifying her/his blog;
3. Paste these rules on your blog;
4. Write 6 of your most important values and 6 negative points you condemn,
5. Inform the 6 recipients by leaving a comment on their blog.
Most important values
- "Nurture people, not products"
- Trying to be better all the time
- Hurting people and knowing it
- Taking advantage of the weaker
I give this prize to all of you.
UPDATE: I've just ordered a tripod and it's going to be delivered to my home tomorrow in the evening. Can't wait!
Friday, August 1, 2008
Have a great summer, great holidays, and keep those machines humming :)
I'll post as soon as I'm back, as I made two other items but didn't have the time to take photos.
I'm leaving very early in the morning tomorrow and am still at work, going to be at work until evening and haven't even started packing.
Why can't cats pack your things while you sleep peacefully?... Although, knowing my cat, she probably can but won't :)
Wednesday, July 23, 2008
The first dress is made out of cotton jersey, no lycra and the fabric was bought from ebay seller sophie162223. I adored the mix of colors the moment I saw them. I chose Burda WOF 04/2008 dress 116 for this fabric.
I liked the way Burda has you sew double strips at armhole and back neckline, than turn them back and topstitch (see below) but I think I'd rather have simple strips. Double strips look more finished but they add bulk. I pounded the seam allowances with a rubber hammer to reduce the bulk but I would still prefer simple strips for next time.
I once again refer you to the Burda workshop about jersey - very useful, especially the part about stabilizing necklines and armholes with bias fusible tape, staystitched with a chainstitch, but I would like to add a few things about sewing with knits (I read all of them some place or another):
- It is very important to cut your knits on grain (well, it is very important to cut all your fabric on grain). See the Burda workshop where they explain very well how to find the grain on a knit. Have you ever had one of those store-bought t-shirts that you really like but after a couple of washes your side seams are totally crooked? They become diagonal and you have one seam showing in front and another one showing in the back? That's because the knit was not on grain.
- A walking foot helps with knits (that is my experience). It avoids stretching of seams (although you can also avoid that by reducing your foot pressure, if your machine has that option) and it crosses easier bulky seams (for some of them you don't even need to use a jig to level your foot with the fabric), thus keeping stitches equal (you know how your stitch length shortens when you sew on a bulky part and don't use a jig to help your foot?)
- I always use a stretch 75 needle or Microtex needles (70 or 80) for difficult to sew fabrics (slinky comes to mind)
- Since I discovered the stabilizing bias fusible tape (Vilene Bias Tape), I use it to stabilize the shoulders also and thus I don't need to catch a strip of fabric, nylon tape or other stuff in the seam. Love this tape, just ordered 50 m of it from SewEssential.
- I really love the look of deeper hems and try to have 4-4.5 cm (1 3/5 - 1 4/5") hems if the amount of fabric available allows it.
- For hemming, I always use a twin needle (I covet a coverstitch machine!), I prefer the needles with 2.5 distance between the needles but a 4 distance needle works just fine too (it gives a sportier look in my opinion). I have a separate bobbin shuttle dedicated to hemming knits and bobbin work. It has the tension reduced to 0 (unscrew the bobbin screw as much as you can without it falling). You can play with your tension on your bobbin shuttle if you have just one but I remember reading that if you do that too often you risk ruining your shuttle for good. I always use woolly nylon in the bobbin (I have black, white and beige and these go for almost everything; I would love to have coordinated colours, but that's what I could find). Wind the bobbin by hand or, if you're lazy and easily bored like me, wind it by machine, bypassing all the tension guides and setting your sewing speed to the lowest setting possible. Otherwise, the woolly nylon gets too stretched during winding and looses its stretchability. And you do want it in your hem for its stretchability! Since I hem like this, I never got popped stitches in my hem and believe me, I can get pretty brutal to my clothes when undressing, especially if I'm very tired or in a big rush.
- also for hemming knits, I've been using this tip by Sewing Diva Gigi for quite some time now. Great tip, it definitely improved the appearance of my hems. Her tip is for a coverstitch machine, but it works equally well when you sew your knit hems with a twin needle, on your regular machine, like I do.
- I used to cut 0.6 cm (1/4") seam allowances on all knits and sew them directly. I'm good with a serger (at least that's what I like to think) but still, this method is not the best for more complicated models, with draping details and so on. Now I cut 1.6 cm (5/8") allowances, sew them with a stretch stitch on my regular machine (I don't really like the specialised stretch stitch on my machine, the one that looks like a lightning; I prefer a zigzag stitch, 2.5 long and 0.5 wide) or with a basting stitch (make sure you take the stitching out after finishing your seams in this case) and then serge it away in total confidence.
- For more difficult hems, I use Steam a Seam to fuse them in place. By the way, I don't know about you, but the European versions of Steam a Seam I found are the kind that you iron on the fabric, fold the hem in place and iron again. They do come apart most of the time in washing and you have to press them back. Well, my dear friend Marji sent me some genuine Steam a Seam and wow! It adheres to fabric without ironing. You only iron it in place to make the bond permanent. And it is permanent - it doesn't come apart in the wash! One remark however, whether you use Steam a Seam or other similar stuff for knits, make you sure you get the light version (Steam a Seam Lite), otherwise it makes your knit stiff. The light stuff is totally unnoticeable.
This is the vintage swimsuit from Burdastyle, mixed with the bottom of the green Burda dress (without the back darts). There are several problems with this pattern, Cidell highlighted them in this post. There were (there are now, they updated the pattern) no notches for the gathering, so I did it "by eye" as we say here. The back straps should be cut on fold and if you want to tie them with a bow like in the Burdastyle photo, you should also lengthen them (you see that I can only tie mine with a knot). I also had to shorten the long strap by 9 cm (4 3/4") and the front strap that brings together the gathering in the bust insert by 5 cm (2").
The dress is made out of a gorgeous jet black viscose lycra bought from ebay shop fabric-fabric. I bought several viscose lycra knits from them and I absolutely love them.
I inserted bra cups (this pattern is so adequate for bra straps because you have that back tie strap that really helps, it give the effect of a bra: cups+back strap), again by using this very useful tutorial by Diva Gigi on the Sewing Divas blog. I only attached the cups at the underbust part and left the upper part unattached (because the insert is gathered at sides and center).
The viscose lycra is a heavy stretchy fabric and even if stretched the long band as much as I could, I still felt it would need to hug my body better therefore I added clear elastic on the entire length.
Remember to stretch the clear elastic a few times before inserting it, otherwise it would stretch in the garment and you end up with a wavy edge insert of a body-hugging one. Clear elastic is very good because it tends to adhere to naked skin (like those silicon strips on bra elastic, for strapless bras).
A deep hem again...
And because I will use this dress a lot for salsa dancing, I'm wearing it with my new dancing shoes in the picture. Here's a close-up from the manufacturer's website:
Wednesday, July 16, 2008
It is Burda World of Fashion 05/2008, dress 104.
I don't have many things to say about this dress, it is easy to make, you can see more close-ups than I managed to take on my friend Tany's blog - the post about the saffron dress. A few words about changes made and changes that will be made:
- I didn't insert a zipper - why does Burda plans for a zipper in a very elastic dress, it's a total mystery to me. You simply don't need it.
- I once again refer you to the Burda workshop about jersey - very useful, especially the part about stabilising necklines and armholes with bias fusible tape, staystitched with a chainstitch (you buy it in notion stores - see a photo on Tany's blog, in this post) - they say how you should fuse this tape - the chainstitch must be placed on the stitching line. I didn't know that and have wondered how I should do it.
- I made a mistake and cut a different pattern piece for the belt. The dress has a symmetrical belt, the asymmetrical belt that I cut was meant for the top using the same pattern - this top. I actually prefer asymmetry to symmetry in many cases, but in this particular case, I do think the dress would look better with the symmetrical belt.
- I used a metal buckle (the only one I had in my stash) but a plastic one would be better. The metal is heavier and pulls a bit the belt.
- Next time I make this dress I will make the neckline wider, shortening the shoulders at neck by about 2 cm (approx 0.8") on each side. A wider neckline would look better on me. I might draw a deeper neckline as well, since this dress will be for going out. As it is, this is a very non-Burda cleavage, meaning very decent as compared to their regular plunging necklines :)
- For the next dress, I will lengthen the self-lining part of the bodice to reach under my bust. I plan to insert bra cups in the lining and finish the end of the lining with elastic.
And now, my absolute favourite dress so far:
This is Burda WOF 02/2008, dress 103.
Once more, go to Tany's blog - this post - to see more close-ups and explanations concerning the construction of the front knotted/draped detail. I read the Burda instructions a couple of times to understand how I'm supposed to do this. It is not that difficult actually, pretty straightforward once you get it.
I made the short-sleeved version but I'm totally in love with this dress - it was such a success that a woman stopped me in the street to ask me where I bought this gorgeous dress - so I'll definitely make the 3/4 sleeve version too, probably for fall and that one will be underlined.
I made a petite alteration to the pattern and that's all. The fabric is cotton/lycra, a lovely shade of green. Even after the petite alteration, the dress was quite long, therefore I made a wider hem and I love this look. I think I'll only use wide hems from now on on knits (about 5 cm = approx 2"), they give such an elegant appearance, especially when used in a dress.
This dress is the perfect example of instant gratification. Three hours for making it (including cutting the pattern, as it was traced, but not cut) and maximum impact because of the very interesting design. I could see this dress made again with the top part changed to a cami style - the raglan construction would be so easy to turn into a strap-design.
And for hemming knits, I've been using this tip by Sewing Diva Gigi for quite some time now. Great tip, it definitely improved the appearance of my hems. Her tip is for a coverstitch machine, but it works equally well when you sew your knit hems with a twin needle, on your regular machine, like I do.
Tuesday, July 15, 2008
And now let me show you what I made lately, only the skirt was made during my silence period, the rest was done after that. I wanted to sew dresses because I love dresses and I have few. It's more versatile to have blouses and skirts for the office. But I decided to remedy that, with the help of my beloved Burda - I love this magazine, the patterns are so well drafted and I rarely need to do any changes at all besides a petite alteration.
This skirt that I made (please forgive the very poor quality of the picture, I tried to lighten it in Photoshop so you can see the topstitching better, but with very bad results; you'll see the close-up which is a lot better; as I've told you before, my camera takes strange pictures when on self-timer and in artificial light) was the beginning of a capsule that I wanted to make. A summer capsule inspired by this mix of colours in a Burda magazine:
I love these strong colours mixed together and I am going to sew that capsule at some point (not now, because the capsule will be rather for office and everyday life and right now I want to sew for my holiday at the seaside!). The colours are going to be burnt orange, purple, green and turquoise blue. I have fabric for 6 tops and 6 bottoms, plus a viscose chiffon in a print with all the colours mentioned above.
Without further ado, here's the skirt - Burda WOF 02/2008, skirt 111:
This skirt being an important piece in my colourful capsule, I decided to topstitch the bands with the colours of my wardrobe - green, orange, purple and turquoise. I used topstitching thread for that. Unhappily when I graded down from 36 to 34 it seems I didn't grade the front band very well (see it in the close-up below) and the last lines of topstitching don't go all the way around but stop somewhere in the middle (the band was a bit wider at the center than at the end, arghh, why didn't I think of checking that after grading down??).
The photo includes one of my favorite bags, that will go nicely with the entire capsule. And here's a beautiful necklace that will also go with everything.
The fabric is a stretch cotton sateen. A word of caution if you think of making this skirt: you need quite a bit of stretch in your fabric because it is a pencil skirt with no back slit or pleat and it is quite tight around your knees. I like the skirt as it is and it is not uncomfortable, but the next one will have a center back seam and a slit or kick pleat of some sort.
The next dress is a very easy dress from Burda WOF 07/2008, dress 120.
It is made of silk jersey, a beautiful panel bought of UK ebay. This was my first time working with silk jersey and I strongly recommend reading this factsheet on emmaonesock. Very useful tips. If only I read that before pre-washing the fabric! In my ignorance I line-dried the fabric instead of drying it flat and I managed to distort it. It took a very careful steaming and pressing to get it back in shape. See, I told you practice makes perfect! After so many weeks without sewing, I made a mistake at almost every garment that I've sewn.
The front is cut on fold, but the back has a center seam. I wanted to match the motifs on the remaining pieces as well as possible.
And here's a close-up of the not perfect but alright match in the back, as well as the teardrop beads that I used to embellish the end of the string that ties the dress around the neck.
The upper front is self-lined and I also inserted bra cups. I cannot imagine wearing such a dress without a bra and I don't like strapless bras so much. I always feel they are not exactly secure on me (maybe because I'm a B cup). Normally I would have lined or underlined the entire dress but this is a dress for dancing and for hot summers (summer is really hot in Bucharest) therefore I didn't want a tricot lining or underlining and I didn't have silk jersey to line it. So the dress is left unlined.
I also inserted clear elastic in the back. I did remember to stretch the elastic a few times before inserting it (to eliminate some of the stretch) but I still would have liked it to hug my body better especially after some hours of wearing. So next time I will insert regular elastic, or clear elastic, but sewn to the already hemmed back - this way, the clear elastic is in direct contact with the skin and it tends to adhere to it (I know because there's clear elastic sewn to the top of the cups, with this purpose in mind).
To insert the bra cups, I used this very useful tutorial by Diva Gigi on the Sewing Divas blog. I attached the cups only partially (the black lines in the photo below show you where the zigzag stitching stops) because I needed to check if the cups won't prevent me from sewing the ring. I had indeed to cut a bit from the front part in order to accommodate the ring.
Despite the need to match the motifs and the insertion of bra cups, it still was a quick dress. I love knit projects, they are so rewarding! Tomorrow I'll show you two other dresses, both knit. You can easily whip one in one evening.
Tuesday, July 8, 2008
You don't know me (in person I mean), but I can tell you that I'm a highly energetic person. My level of energy, including physical, is naturally very high. I don't take any credit for that, it's just the way I've been since I was a kid - plenty of energy to spend and normally, positive energy. This helps me a lot when under pressure. Usually pressure (well, short and medium-term) stimulates me and makes me faster and most of the times better. So it is very unusual for me to feel that I can't manage all the things that I must do.
So what happened? Think lots and lots of work to do, a very important conference with high officials and important people from the artistic world to organize, a 2-weeks visit from my mother in law and her husband (they live in Dallas, TX) which brought plenty of supplementary household chores, trips to make all over the country to visit relatives and so on. A 5-days teambuilding that was mostly work - my organisation is preparing for the first excellence star (read more about the committed to excellence concept on the EFQM site) and I was leader of one of the groups doing self-assessment and improvement projects. Serious conflicts in my department at work, serious personal problems in my department... As head of this department, many of these problems have a direct impact on me, both professionally (as conflict mediator) and personally (things that happen to people in my team affect me) as you can imagine. On one hand I can't believe it's been two months since I last posted, on the other hand it feels like one year and not just two months.
I've tried to keep up with your blogs as much as I could, even if I rarely (very rarely) had the time to comment or drop a line and I know I have been quite an absent friend... But I'm back, even if quite tired and hopefully the month of July will be a bit easier (there's plenty to do anyway, more than "normally", but compared to how it's been, it does seem a breeze!). I managed to sew a skirt almost a month ago and two easy knit dresses this past week but couldn't bring myself to take photos or blog about it. I guess I just needed to take it easy and come back to the sewing world step by step :)
But it felt so good to have a sign or a small line from some of you, thank you for writing me, thank you for worrying about me! Thank you, Melissa, Designdreamer, Val, Isabelle, Dinah, another Melissa (who doesn't have a blog), Robin Denning, Carolyn, Winnifred from PR. Please forgive me for not having the time to give a reply, however your messages meant a lot to me. Hope I didn't forget anyone who wrote me... Which reminds me, it has come to my attention that during the last 6 or 7 months, there's been lots of problems with our email server (changing the server, changing software etc) and friends tell me that they sent me messages I never got or I know I sent them messages but they didn't get them. So, if you sent me an email and never got a reply, please forward it to me again, because I never got it!
I'll come back with photos. Promise :) It feels good to be back already.
Wednesday, May 7, 2008
When back, the first thing I did was check the Timmel page, to see if the votes were counted. Surprise! Julie said the votes were counted indeed but she won't post the results until Monday (5 May morning). However she did email the five winners to let them know about their prizes. I checked my email... nothing. So I thought I didn't even make it among the top five. I was sad and kind of disappointed but then I came to terms with it because I looked at what I made for the contest and was quite pleased with it - which doesn't happen so often.
And then... the shock! The votes were posted on Monday morning (in Canada, it was evening here) and I found that I have got the first prize! I nearly died and fainted :) It was the biggest happiest shock ever.
Check out the Timmel SWAP page, if you haven't by now. There are great-great wardrobes in there and I don't speak only about the winners. There are at least two wardrobes that I liked very much and aren't among the winners.
I wanted to write about something for a long time but haven't got the time before going away for holidays. It feels kind of stupid and pretentious to write it now because I hate Oscar-like speeches, but please bear with me. I hope you know by now that all that I write comes truly from the heart. And this is especially true for the following.
You have been giving me such heartfelt appreciation during the past year. Every one of your comments and every new person coming to my blog or delurking makes me so happy. After I post something, I check my blog every 5 minutes to see what you think and what you say :) And every word means something for me, even if unhappily, I don't always have the time to thank you for that.
So a big thank you and a big, warm virtual hug for all of you. Your feedback encourages me and pushes me forward and I feel that it is also thanks to this that I have evolved so much during the past year. YOU make me want to be better. YOU make me strive to do more.
But this post is also about giving special thanks to a few persons that have stood by me along this SWAP and whose words and encouragement meant a huge deal:
My beautiful friend Marji - Marji, your warmth, straight-forwardness, sense of humour, great sense of style and I could go on like that for a while... You will always be somebody special for me.
Carolyn - you can't imagine what a great feeling I had whenever I saw your "just checking with you" messages in my inbox. And you know very well that your email when I really felt like giving up encouraged me and pushed me forward.
Lisa Laree - your "you can do it, keep sewing" posts on the SWAP thread and at my blog brought a big-big smile to my face. I felt instantly energized and optimistic.
Cherie - You wrote me your first very nice supportive message when I was participating in the PR wardrobe contest last year and since then, I constantly felt your presence through your emails and your comments at my blog. Your confidence in my talent gave me confidence in my talent and made me feel I could make a difference.
And last but not the least... Julie, the organizer of the SWAP contest. Besides being such a great host for this contest, besides putting a lot of heart, a lot of time, effort and money in it. She and the first SWAP I was in last year catalyzed my evolution. Because of Julie and her 2007 SWAP I started a sewing blog. And starting this blog, as I've tried to explain above, meant a great leap for me so I feel I owe Julie a LOT without her even knowing it probably.
I usually am really good with words (it is part of my job too ha ha) but when I am very emotional, I don't seem to find the adequate words to describe what I want to say. I am quite an intense and warm person (my Latin temperament partly accounts for that) and intense feelings are hard to render. I hope however that even with modest words, I managed to make you feel, you all and not just the five above, my love and my gratitude.
1. Pick up the nearest book.
2. Turn to page 123
3. Find the fifth sentence
4. Post the next three sentences.
5. Tag five people and acknowledge who tagged you.
The book I've been reading is in Romanian and I'm going to do my best to translate... It is Beauty and Sadness, by Yasunari Kawabata (one of my favorite writers ever). And here's the quote:
"... You do know who Sanetaka was, don't you?
- A nobleman, right?
- Everybody knows that!"
I tag Isabelle, Berry, Sigrid, Carolyn and Summerset.
Monday, April 21, 2008
Not your usual white shirt 2 – pattern 109 from Burda World of Fashion no 3/2008- described in this post
This year I really felt that there was a strong idea behind my SWAP. I recently discovered that I don’t have enough basics in my wardrobe and an initial list of things to sew started to form in my head. Then the idea went further and I decided to make my SWAP a wardrobe of basics… now, part of those basics are to be found in any book or list of things you should have and others, like not your usual pintuck shirt or not your usual silk blouse are my own idea of basics :)
I knew I wanted to sew a basic wardrobe but at the same time, I knew I wanted each item to be one that I would wear a lot if not to death, therefore it was important to add a personal touch to all the items. Hand embroidery on a skirt, pintuck embellishments on another, delicate handmade roses on a dress, piping and covered dotted buttons on another blouse… All this to make these items speak about me and to result in a wardrobe of not your usual basics. Or basics with a twist.